Advanced Placement English Literature
Edmond Memorial High School
Summer Assignment 2010

You will have two summer assignments that will be due by the end of the first week of instruction in August; therefore, be working on these assignments throughout the entire summer—pieces at a time. Time management is crucial within AP Literature in order to study the volume of work during the year.

First Assignment:
Read HOW TO READ LITERATURE LIKE A PROFESSOR: A LIVELY AND ENTERTAINING GUIDE TO READING BETWEEN THE LINES by Thomas C. Foster. You will be able to check out copies before school is out in May, or you may purchase this book at a new or used bookstore so you can write in it. This would be the wisest choice in that you will be able to track your reactions with thoughtful annotations.

Answer the accompanying questions. This “How to” book will better prepare you to read carefully and analytically as you begin your year in AP Literature. Having knowledge of the subjects covered in this text will give you an advantage throughout the school year and on the AP exam. We do not expect essay responses for each question. As long as you satisfactorily answer the questions, length will not be an issue.

1. Introduction: How'd He Do That?
How do memory, symbol, and pattern affect the reading of literature? How does the recognition of patterns make it easier to read complicated literature? Discuss a time when your appreciation of a literary work was enhanced by understanding symbol or pattern.

2. Chapter 1 -- Every Trip Is a Quest (Except When It's Not)
List the five aspects of the QUEST and then apply them to something you have read (or viewed) in the form used on pages 3-5.

3. Either of the following:
Chapter 2 -- Nice to Eat with You: Acts of CommunionChoose a meal from a literary work and apply the ideas of Chapter 2 to this literary depiction.
Chapter 3: --Nice to Eat You: Acts of Vampires
What are the essentials of the Vampire story? Apply this to a literary work you have read or viewed.

4. Chapter 4-- If It's Square, It's a Sonnet
Select three sonnets and show which form they are. Discuss how their content reflects the form. (Submit copies of the sonnets, marked to show your analysis).

Optional
Chapter 5--Now, Where Have I Seen Her Before?
Define intertextuality. Discuss three examples that have helped you in reading specific works.

5. Chapter 6 -- When in Doubt, It's from Shakespeare...
Discuss a work that you are familiar with that alludes to or reflects Shakespeare. Show how the author uses this connection thematically. Read pages 44-46 carefully. In these pages, Foster shows how Fugard reflects Shakespeare through both plot and theme. In your discussion, focus on theme.

6. Chapter 7 -- ...Or the Bible
Read "Araby" (available online). Discuss Biblical allusions that Foster does not mention. Look at the example of the "two great jars." Be creative and imaginative in these connections.

7. Chapter 8 -- Hanseldee and Greteldum
Think of a work of literature that reflects a fairy tale. Discuss the parallels. Does it create irony or deepen appreciation?

8. Chapter 9 -- It's Greek to Me
Write a free verse poem derived or inspired by characters or situations from Greek mythology. Be prepared to share your poem with the class. Note that there are extensive links to classical mythology on my Classics page.

9. Chapter 10 -- It's More Than Just Rain or Snow
Discuss the importance of weather in a specific literary work, not in terms of plot.
Interlude -- Does He Mean That

10. Chapter 11 --...More Than It's Gonna Hurt You: Concerning Violence
Present examples of the two kinds of violence found in literature. Show how the effects are different.

11. Chapter 12 -- Is That a Symbol?
Use the process described on page 106 and investigate the symbolism of the fence in "Araby." (Mangan's sister stands behind it.)

12. Chapter 13 -- It's All Political
Assume that Foster is right and "it is all political." Use his criteria to show that one of the major works assigned to you as a freshman is political.

13. Chapter 14 -- Yes, She's a Christ Figure, Too
Apply the criteria on page 119 to a major character in a significant literary work. Try to choose a character that will have many matches. This is a particularly apt tool for analyzing film -- for example, Star Wars, Cool Hand Luke, Excalibur, Malcolm X, Braveheart, Spartacus, Gladiator and Ben-Hur.

Optional:
Chapter 15 -- Flights of Fancy
Select a literary work in which flight signifies escape or freedom. Explain in detail.
Either of the following:
Chapter 16 -- It's All About Sex...
Chapter 17 -- ...Except the Sex
OK ..the sex chapters. The key idea from this chapter is that "scenes in which sex is coded rather than explicit can work at multiple levels and sometimes be more intense that literal depictions" (141). In other words, sex is often suggested with much more art and effort than it is described, and, if the author is doing his job, it reflects and creates theme or character. Choose a novel or movie in which sex is suggested, but not described, and discuss how the relationship is suggested and how this implication affects the theme or develops characterization.
Chapter 18 -- If She Comes Up, It's Baptism
Think of a "baptism scene" from a significant literary work. How was the character different after the experience? Discuss.

14. Chapter 19 -- Geography Matters…
Discuss at least four different aspects of a specific literary work that Foster would classify under "geography."

15. Chapter 20 -- ...So Does Season
Find a poem that mentions a specific season. Then discuss how the poet uses the season in a meaningful, traditional, or unusual way. (Submit a copy of the poem with your analysis.)
16. Interlude -- One Story
Write your own definition for archetype. Then identify an archetypal story and apply it to a literary work with which you are familiar.

17. Chapter 21 -- Marked for Greatness
Figure out Harry Potter's scar. If you aren't familiar with Harry Potter, select another character with a physical imperfection and analyze its implications for characterization.

18. and 19. Two of the following:
Chapter 22 -- He's Blind for a Reason, You Know
Chapter 23 -- It's Never Just Heart Disease...
Chapter 24 -- ...And Rarely Just Illness
Recall two characters who died of a disease in a literary work. Consider how these deaths reflect the "principles governing the use of disease in literature" (215-217). Discuss the effectiveness of the death as related to plot, theme, or symbolism.
Chapter 25 -- Don't Read with Your Eyes
After reading Chapter 25, choose a scene or episode from a novel, play or epic written before the twentieth century. Contrast how it could be viewed by a reader from the twenty-first century with how it might be viewed by a contemporary reader. Focus on specific assumptions that the author makes, assumptions that would not make it in this century.
Chapter 26 -- Is He Serious? And Other Ironies
Select an ironic literary work and explain the multivocal nature of the irony in the work.

20. Chapter 27 -- A Test Case
Read “The Garden Party” by Katherine Mansfield, the short story starting on page 245. Complete the exercise on pages 265-266, following the directions exactly. Then compare your writing with the three examples. How did you do? What does the essay that follows comparing Laura with Persephone add to your appreciation of Mansfield's story?

Optional:
Envoi
Choose a motif not discussed in this book (as the horse reference on page 280) and note its appearance in three or four different works. What does this idea seem to signify?


Second Assignment:

Reread your favorite novel or play that has literary merit and be ready to write about it. As you reread, select five passages (half a page to a full page). Copy or photocopy these passages and analyze them considering the following questions:

1. Why did you select the passage?
2. What was it about this particular passage stood out to you?
3. How significant or important is this particular passage to the novel?
4. What do you learn as a reader from this particular passage?
5. After finishing the novel, does this particular passage seem more or less significant?

Of course, AP English covers many other aspects of English besides the study of novels and plays. Since the tangible outcome of the class is to take a test in May, many of the activities prepare you for success. We congratulate you on your decision to take advanced placement classes.

Sincerely,


S. Vandagriff & R. Killackey
P.S. “A room without a book is like a body without a soul” (Cicero)